An exploration in the certain psychological pleasure of paying with a debit card in the finicky and unpredictable business environment that is Europe.
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Here we are informed by the enthusiastic Anne Whiting, remarking on the shared delight of the disposable, specifically Denise Treizman’s latest solo show, The Marshmallow Method.
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The Armory Show is a most incorrigible bird. It flaps its wings in such a manner that dust or something falls out with each sweep and you kind of wade through it, acres of scenery, acres of thing. There is a lot to not see at the Armory. Too serious, too interactive, too political. But there are a select few artists at the Armory that are digging in, not out.
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The day I learned how to read a Rothko was the day the art world grew that much more challenging and unfortunate. Here’s your guide.
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