In my 12-hour jaunt through Sin City, I’d never felt more cradled, respected, and anonymous in my life. Las Vegas returns a degree of grace and dignity to being called a tourist.
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David Mamet's iconic Glengarry Glen Ross returns to the stage with an ensemble cast and two Hollywood legends making Broadway debuts. How does this stacked playbill fare on the stage?
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Despite a tremendous performance by Katie Brayben, Tammy Faye’s huge personality is muffled by wordy dialogue, too-long musical numbers, and a hopscotch plot.
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Curiously suspended yet completely present, a new installation at the University of Michigan Museum of Art is Machine Dazzle at his most progressive, aware, and fun.
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An exploration in the certain psychological pleasure of paying with a debit card in the finicky and unpredictable business environment that is Europe.
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The day I learned how to read a Rothko was the day the art world grew that much more challenging and unfortunate. Here’s your guide.
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